What does it mean to feel comfortable in your own skin?

That’s the question at the heart of SOAPI’s new production, Life Drawing 301 – a bold, funny and, at times, confronting play set in a life-drawing studio.

The story opens with a reflection on nudity in art – from historical acceptance to modern-day taboos – and the effect these shifting attitudes have had on body image. In this context, artists emerge as one of the last bastions of resistance.

At Dame Rita’s community art school, Annie, an art historian and teacher, is introducing a new life-drawing curriculum, working with experienced model Willy Weis to guide senior students towards anatomical accuracy. The lesson takes an unexpected turn when Sadie, the cleaner, steps hesitantly into the role of model.

While the students focus on what they see, Sadie is overwhelmed by what she feels – a distorted and deeply personal perception of her own body. Around her, Willy, Annie, Dame Rita and fellow students Ash, Sky and Sheila pull out all the stops to reassure her of her value and beauty.

The play cleverly breaks from traditional form with moments where time stops and characters speak directly to the audience. These scenes create an intimate, sometimes uncomfortable connection, inviting reflection on our own ideas of beauty, normality and self-worth.

Despite its serious themes, humour runs throughout. The classroom dynamic, layered with visual references and contemporary touches, brings warmth and relatability without diluting the message.

Importantly, Life Drawing 301 extends beyond the stage. The production supports the Butterfly Foundation, with half the profits directed to its National Helpline, that assists those experiencing eating disorders and body image distress. It’s a timely reminder that these pressures are lived daily – particularly by younger generations navigating social media.

At its core, this is theatre with purpose – and a simple, urgent message: every body deserves respect.

Life Drawing 301 will be staged at Cobargo RSL Memorial Hall over the last two weekends in May.

Donna Portland